 |
|
 |
 |
 |
|
Statement

My work is very process orientated. It explores themes of memory, impermanence, and the relationship between opposites such as order versus chaos, structure versus gesture, and line versus form.
I try to develop levels of meaning by building and/or removing layers of paint, ink, paper and other materials. Collage elements are often torn, cut, and manipulated, suggesting forgotten, discarded and/or hidden parts of our lives. They become a personal language of animated marks. Each piece has its own history, which is partially revealed through various layers. They are images and marks contained in layers of space and time.
|
|
|
 |